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While, ultimately, the show insists that there is no perfect way to conclude a sexual assault storyline, no poetic justice that can compensate for the harrowing experience, Arabella’s own storyline at least offered her (and in turn, her audience- specifically the audience of young black women who Arabella appeals to) some kind of healing. In fact, no mention is made again of Kwame’s abuser, so the audience can assume that he will not be brought to justice for Arabella, the narrative doesn’t stop probing the very concept of ‘justice’ for a proper answer. Terry stands firmly by Arabella’s side, her trusted and constant companion Kwame remains alone throughout his narrative, and his interiority is rarely interrogated in a similar manner to Arabella’s own emotional trajectory.
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Yet one considers if the show doesn’t fall into the same patterns it criticises: where is the sympathy for Kwame in the wider narrative? His brief visit to the station is juxtaposed with the scene of Arabella outing her assaulter before an audience of hundreds, all of whom applaud her for her bravery. Coel wages a damning critique of the failures of the police to treat male victims of sexual violence with the same empathy that would be expected toward female victims: there is a stark contrast between how Arabella reported to two sympathetic officers who responded in soft, encouraging tones and always took her seriously, compared to the unprofessional conduct of the police officer Kwame deals with. Kwame’s outfit is notably muted, no longer the bright pastel tones of the episodes earlier, but dark muted tones to match the dark purgatorial environment- the officer doesn’t even extend the common courtesy of closing the door as Kwame relates his experience, despite the fact that he is legally obligated to do so. One flinches as the police officer awkwardly smiles, sometimes even laughs at Kwame’s story. Kwame reports the sexual assault to the police, the scene is jarring- to say the least. *Disclaimer-This blog post talks about sexual assault* To read part one of the blog, please click here.